One. When letters used to be written, even then some letters were never written at all. Now messages are sent, yet still some messages are never sent at all. Those who don't want to write or send such letters or messages actually keep hidden away some dreams, some feelings. Who has ever received letters more beautiful than dreams, messages more beautiful than feelings? This game that plays in the mind— no one else keeps track of it. All that is most beautiful keeps itself hidden from sight. Be it letters, be it messages, can any of them ever become more beautiful than unspoken words? Two. Now whenever I keep you at a distance and see you from afar, it feels good, love-like. When I used to see you up close, I never really saw what you actually looked like. You did well not to come near. If you had come close, love would have fled leaving desire behind. When distant rain comes home, who gives it shelter? You are beautiful— I didn't understand this before you went away. What remains loses its worth. When you were before my eyes, if you caused pain, I'd look away. Had you not gone so far from sight, would I have wept if you caused no pain? Three. After seeing you I don't understand at all where I've wandered from where. I only see that I'm becoming increasingly unknown to myself. How strange! Sometimes light as a feather, sometimes heavy as stone. I have to carry both. This is how I stay alive. All the things I'm managing to do— that they could even be done, I never thought before. Was I always like this deep inside? Sometimes I think, I'm doing fine now! Sometimes I think, was I doing fine before too? After seeing you I don't know if I'm doing well. Before seeing you I don't remember if I was doing poorly. Four. Days pass in vain. One, two, another... they keep going. Life has no stopping places. At day's end I think, apart from the shame of one day's living, what else did I gain? Thoughts never stop. While thinking, another day enters life. Then another. New meaningless life in the belly of old meaningless life. Days don't change, regrets don't change. Age increases, failure increases. What an excessive life! Knowing there's no meaning to being alive, yet staying alive like this and beating my brain thinking of success or failure— for such a purposeless lifespan, this unearned share in the world's beauty... was I supposed to get more than this? Five. Touch has a power. That power's empire extends to all cities beyond touch as well. The first caress, the first kiss, the first embrace, the first union gives a person a second birth. One who isn't born has much left before becoming human. One who flees at the slightest touch— if you do manage to touch them, sounds spill from your fingers. Before and after touch every person is of two kinds. Touch's power is such that even the feeling of not being able to touch gives birth to words. Some words spill on paper, some words seep into the heart. Touch holds infinite capacity for conception. In that womb someone is born, someone else dies. Six. When you left me alone you kept with me time itself. Seeing my solitude, wise time hurled me into darkness. In that darkness, walking the path, I learned there's no light anywhere in life. What people recognize, they think is light. There's no such thing as light. When you learn to walk in darkness, you meet light among people. By drowning in darkness I learned to tear through this darkness... Beloved, thank you for not leaving me alone when you went away. Seven. All the things I couldn't say to you burn so much! When it's too late nothing can be said anymore. Yet see, if I had wanted to then, how much could have been said! All that I did say weighs far less than all I didn't say. We only wait to be too late. This burning of not being able to speak— is that what we call distance? Eight. When a beloved person goes far away, the kind of emptiness that takes hold— I'm living with exactly that kind of emptiness. Yet the one I let go, I didn't try to keep thinking they weren't beloved. Do people then become beloved after going far away? Or can people only be known after they've gone away? The one who didn't come close even while coming, why do I keep them close throwing everything else far away? The bird flies away leaving attachment behind... Nine. I wait, no one comes. Again I wait... There's no promise of coming, though even so, I still wish someone would come! I'm human too! Being born human has many inconveniences. Even when you can walk alone, you can't walk alone. It would be good to have someone beside me— living with this thought is called a lifetime. Time isn't passing badly though. One who has nothing to do in life is dead. I'm still alive today. My heart keeps saying, someone's coming...! Ten. None of them say anything. Moonlight, evening sun, flower's fragrance, scars of separation, love's intoxication, wind's touch... say nothing at all. The one who makes these silent things speak— everyone's desperate today to block that voice and reach heaven. Is this jealousy? Or victory? Eleven. Ignoring the closed window, the grasshopper entered the room through the door. Some flying around in joy; then sitting here, sitting there. It falls in love with that room, so it can't leave anymore. Suddenly struck by the fan blade, that same room becomes its final refuge— the room it couldn't leave, or didn't want to. Watching the grasshopper die, somehow I see myself in the mirror! Twelve. I am like that wildflower that's needed for no worship, that finds shelter in no vase, that receives no one's affection, that has no name, no identity, yet keeps blooming at the Creator's whim, yet keeps swaying in its own joy. Thirteen. Lately I'm afraid of being rejected. I understand that as age has increased, hurt feelings have increased even more. Who pushed me away, who drew me close, who did nothing at all— why do these thoughts come even at this age? One whose life is measured by constant rejection— what is there to fear so much in any way of living? Emotion and feeling that make one cry— in such a life winter comes and goes, spring comes and goes; yet age remains fixed at sixteen. Fourteen. The song I sang only for you— when there was no time to hear it then, why did you come to hear that song I sang to forget you? Fifteen. What you've loved is superficial. You don't even know yourself if you've loved at all. When you feel alone, when you need someone, when darkness falls, then think of me. Though you claim very strongly to love me, I understand I am merely your secret life. Sixteen. The lines of the face crooked, illegible. As always sweat-soaked, that map. Line by line some gains of life, some weight of death. Depth in the gaze; there, instead of satisfaction, at day's end the compulsion to accept. Carrying burdens and carrying burdens becoming a burden oneself to live as a burden. Such a person's name is father. Seventeen. I saw people change; day after day they keep changing. Various colors and mannerisms come and possess people's bodies. I don't ask questions, only wonder silently. When explanation means departure, questionlessness becomes the only answer. Without letting the person understand, staying alone with the person—this isn't called love, nor acting, but hurt feelings. Like shallow life, love survives only on hurt feelings. Eighteen. At your call I left home and came outside. Coming, I see the one whose call made me leave home has fled, leaving behind the wrong person. People perhaps remain human only as long as other people don't leave home. I left home, and immediately I see what I thought was home has made me a stranger before anyone else. Nineteen. Some people are never of any use. When there's work, no matter how much you search, you won't find them. When they want me, when I'm useful to them, when I do their work, then that wanting is of no use at all. Twenty. Come, let's talk one day. We two have loved each other, we two have stayed beside each other, but we've never had a conversation. Come, let's get acquainted one day.
Truth Like Poetry: 3
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