: From here, the distance between us will either grow much wider, or else close entirely. What do you want?
: I don't have it all in my hands.
: Why are you making excuses?
: Is this how you want to love me?
: Don't twist the words.
: I've said it plainly enough...
: Can you give me at least one reason to stay with you?
: No. There isn't one. You can go...
: And that's how we'll live it out, then—this life of ours—is it? Aimless, like some strange wanderer?
: I'll live it by loving you...and that will be enough to spend a whole life on. I'll never need any greater qualification than that.
: You're truly unbearable; no one can live with you—no one could.
: Don't think it...no one ever has.
: I can't stand wasting time!
: I know. Just be well.
# The Wanderer's Bundle The old man sat on the platform of the abandoned railway station, his bundle beside him like a sleeping dog. The afternoon sun slanted through the broken roof, drawing stripes of light across his weathered face. He was waiting for a train that hadn't run in fifteen years. "You won't find anything here," said a boy, appearing suddenly from the dust. He must have been ten, maybe eleven, with the kind of sharpness in his eyes that comes from hunger. The old man didn't look at him. "I'm not looking for anything." "Then what are you waiting for?" "A train." The boy laughed—a sound like glass breaking. "There haven't been trains here since my grandfather was young. My father told me. The rails are gone. Someone sold them for scrap." The old man finally turned to look at the boy. His eyes held no surprise, no disappointment. "Then I suppose I'm waiting for something that won't come." "That's crazy," said the boy. "Perhaps." The old man opened his bundle. Inside were papers, yellowed letters, a photograph of a woman whose face had faded almost to nothing, a clay flute, a small stone painted blue, a lock of hair tied with red thread. He arranged these things carefully on the platform, one by one, as if setting a table for a meal. The boy crouched down, watching. "What are these?" "A life," said the old man. "Whose?" "Mine. And other people's. It's hard to say where one ends and the other begins." The boy picked up the stone. "Why is it blue?" "Because once, someone I loved looked at the sky and said, 'The world is blue.' I didn't understand what she meant. I still don't. So I painted a stone blue, thinking it might help." "Did it?" "No," said the old man, taking the stone back gently. "But I've carried it anyway." The sun moved further across the platform. The boy sat down beside the old man, and they didn't speak for a long time. The silence wasn't empty—it held the sound of wind through the broken station, the distant call of a crow, the whisper of paper as the old man carefully returned each item to his bundle. "Will you be here tomorrow?" asked the boy finally. "If the station is still here," said the old man. "It won't go anywhere. It's dead." "Then yes. I'll be here." The boy stood to leave, then paused. "My name is Arun." "I'm Harish." "Will you tell me more about the people? The ones in your bundle?" The old man smiled—a smile that was itself like a faded photograph, suggesting beauty from long ago. "If you come back, I will." Arun walked away into the dust, and the old man sat alone again on the platform of the dead station, holding his bundle like a child who had finally stopped crying. Somewhere far away, a real train whistled—on tracks that still remembered their purpose. But he didn't look up. He was listening to something else: the sound of his own life, traveling at last toward wherever it had always meant to go.
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