1. You never stepped across the threshold of my heart, and I, sitting at that doorway, have worn away into nothing but tears.
2. Your departure made me human!
3. While you leveled your accusations of my busyness, you let slip—and left behind—my love itself.
4. Perhaps you are a child of time, but I am not!
5. I bow to your courage, the same courage that forced even mine to lower its head.
6. Before my poetry, all your efforts will come to nothing—this is my promise.
7. Those few words I could never bring myself to speak—the words that people utter a thousand times a day without thought.
8. I have never let time move ahead of itself!
9. This much is my solace—you did meet my eyes, once.
10. Remember this: let not your words remain merely words.
# The Tears of the Threshold There is a place between sleep and waking where the soul pauses. It is neither here nor there, neither in the world of sense nor beyond it. The ancients called it the threshold—*দেহলিজ*—that narrow strip of dust where one foot has left the ground and the other has not yet touched earth. I have spent much of my life studying this place. Not because I am a scholar of thresholds, though I suppose I have become one. Rather, because I have noticed that thresholds weep. They do not weep like the rainy sky weeps, or like a woman weeps over her dead. They weep in a manner particular to themselves—a slow, almost imperceptible moisture that gathers in the crevices of being, in those hairline fractures that separate one state from another. Consider the threshold of a home. It is both inside and outside, both belonging and arrival. The beggar sits there not because he cannot enter, but because the threshold is the only honest place left—honest in the way that neither full rejection nor full acceptance can be honest. Here, at least, there is no pretense. The threshold knows what it is: a place of waiting. And waiting, I have discovered, breeds tears. But perhaps I am speaking too metaphorically. Let me be clearer, or attempt clarity in a matter that resists it. The human being, I believe, is constitutionally a threshold creature. We live always between what we were and what we might become, between the life we have lived and the life we dream of living, between the self we present to the world and the self that cowes in the dark room of our privacy. We are never quite one thing. This incompleteness is not a defect in us; it is our essential nature. And because we are never quite one thing, we are always, in some sense, on a threshold. The tears of the threshold are not tears of sorrow, though they may sometimes feel that way. They are tears of ambiguity. They are the moisture that gathers when we stand between two truths, neither of which we can fully embrace, and both of which we must somehow hold in our trembling hands. Think of the tears that came to your eyes the last time you said goodbye to someone you loved. Were they tears of sorrow? Perhaps. But were they not also tears of something else—a kind of profound acknowledgment that love and loss are not separable, that the very thing that made the person precious is the same thing that makes their departure unbearable? You were standing on a threshold between the presence you had known and the absence you would come to know. The tears were the only honest response. Or think of the tears that come—rarely, if we are fortunate—when we glimpse something true about ourselves. Not a comfortable truth, but a real one. The kind of truth that cracks the carefully constructed wall we have built. We stand in that crack, suspended between who we thought we were and who we actually are. The tears come because we are mourning, in that moment, the self we believed in. They come also because we are being born. This, I think, is the deepest meaning of threshold tears. They are the tears of becoming. They fall when transformation is happening, and we are conscious of it, and we are powerless to stop it or hurry it. They fall when we understand that to become something new, we must die to something old. And that dying is real, even if the becoming is also real, perhaps more real. The modern world does not like thresholds. We are taught to move quickly from one state to another—from ignorance to knowledge, from singleness to marriage, from employment to retirement, from youth to old age. We are taught that thresholds are mere transitions, gaps to be crossed as swiftly as possible. There is no time to linger. There is no time to weep. But I believe this is a grave error. The threshold is not a gap. It is a dwelling place. And if we cannot dwell there, if we cannot learn to feel and honor the tears that gather there, then we become people who are never quite alive. We become people rushing from one moment to the next, never fully inhabiting any moment at all. The sages understood this. That is why so many of them chose to sit on thresholds, literally and figuratively. The threshold was their classroom. Sorrow, joy, birth, death, meeting, parting—all of these were threshold experiences. And all of them were sacred because all of them involved standing in the truth of one's condition, with no escape into either side. In my own life, I have found that the times when I have grown—not comfortably, but truly—have always been threshold times. Times when I could not go back, and I could not yet go forward. Times when I had to simply stand in the uncertainty. And in standing there, tears came. They were not welcome. But they were necessary. It is strange to speak of tears as necessary. We are taught that tears are a failure of composure, a lapse in strength. We are taught to dry them quickly, to return to either side of the threshold as soon as we can. But what if tears are instead a form of honesty? What if they are the body's way of acknowledging what the mind is still struggling to accept—that we are alive, and that being alive means living on thresholds, perpetually? I think of the threshold between day and night. The dawn. The dusk. These are moments of extraordinary beauty, and beauty, I have noticed, often moves us to tears. Why? Because in those moments, day and night are equally real. Both are true. The sun is both setting and rising. We stand in a reality that contains contradiction, that transcends the either-or logic of our ordinary minds. And our tears are the only response adequate to that transcendence. Perhaps, then, the tears of the threshold are not signs of weakness but signs of depth. They are signs that we are feeling, really feeling, the texture of our condition. They are signs that we have not yet completely deadened ourselves to the truth of existence. And perhaps there is even a kind of grace in this. If we could learn to not resist the tears of the threshold, to not hurry across, to sit for a while in that narrow space between what was and what will be, we might discover something. We might discover that the threshold is not a place of deprivation but of abundance. It is where all possibilities exist at once. It is where we are most alive, most free, most truly ourselves—precisely because we are no one fixed thing, but a living question. This thought gives me some comfort. For we are all creatures of the threshold. We are all standing, at this very moment, between birth and death, between who we were yesterday and who we will be tomorrow, between our dreams and our waking lives. The tears that sometimes come unbidden, the moisture that gathers in the crevices of our being—these are not aberrations. They are our natural condition. They are evidence of the truth we are living. And if we can learn to honor them, to sit with them, to understand them as something other than failure, we might finally become at home in the only place we have ever truly inhabited. We might finally learn to weep with gratitude, at the threshold.
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