# Three in the Morning
Three in the morning. Eyes burning. Someone hammering away inside the skull. The world feels hollow, letters on the page scurrying like ants; the exam looms ahead, nothing will stick in the mind. The urge to hurl the book away. Then—that face rises up, and the hand reaches for the book again. This is not discipline. Discipline can be broken. This is love. Break love, and something breaks inside—and if the inside breaks, what good is standing firm outside?
There is a fear. Quiet, deep, reaching to the bone.
*What if I cannot. What if I am not. What if I cannot give her the honor she deserves.*
This “what if”—it is the most terrible. You can fight a certain danger—a storm is coming, shut the door, board the window. But “what if”? It is shadow. Your own shadow. Run as you will, it runs with you. Jung said it well: there is a darkness within every person that even they do not know—it sits silent in the depths of the unconscious, yet from there it pulls the strings. Here, that darkness is the fear of unworthiness. The dread of not being enough. And at night these things grow—what is a mere thought in daylight becomes a monster in the dark.
Her honor matters more than my own. To go without food—if it means her a little better. To lose sleep—if it brings her a little more honor. Who knows how much honor is written in fate. But whatever there is—all of it is hers. All of it. I have no wish to keep even a scrap for myself. Does a river ever save a drop of water before flowing into the sea? It does not. It cannot.
Is this weakness? The world would say yes. Modern psychology would call it dependence, self-erasure, an unhealthy relationship. Perhaps they are right. By the measure of reason, they are right.
But there is a world beyond reason.
The Sufis called this *fana*—the annihilation of self, losing oneself in the beloved, as a river loses itself in the sea, ceasing to be river and becoming ocean. In the obliteration of self, Mansur al-Hallaj reached a place from which one day came the utterance—*Ana al-Haqq*, I am the Truth. And what followed? In a city square of tenth-century Baghdad, his limbs were severed from his body, and then he was put to death before the crowd. That was the price paid for dissolution that day. Because the world cannot bear the one in whom the “I” has ceased to exist—who is empty, utterly empty, and that emptiness filled with something else, something that terrifies the world. The Upanishads say, *Tat Tvam Asi*—thou art that. When I and thou are no longer separate—then love wears its ultimate face. The world calls it madness. So be it. Some madness runs deeper than knowledge, holier than reason.
She turns in bed. Flips the pillow—the dry side up. The clock reads two, perhaps past. Time has no reckoning tonight. Only the chest still burns.
Years have passed.
Usually, after this many years, the chest does not ache like this for anyone. Time devours all things—slowly, the way salt eats iron, the way sun fades color. Habit dulls every intensity. Distance turns people into mist—they were, they vanished, you hardly remember. Take physics itself—entropy, all things in the universe tend toward disorder, heat grows cold, fire dies, everything stops one day.
But this feeling did not obey those laws. Not at all. It is as it was on the first day, still is—as if someone lit a fire beneath the water, where there is no oxygen, where no law of science holds, yet it burns. Because the fuel of that fire is not matter—it is faith.
# Faith and the Unreasonable Heart
And faith—faith has no kinship with chemistry. Faith is that thing which gives entropy the finger.
Love without reason. Strange talk, isn’t it? Spinoza used to say that God is his own cause—no one made him, he needs no one’s permission to exist. Some loves are like that too. It makes no sense to search for a reason, just as it makes no sense to ask why you breathe. You breathe because you breathe. Love because you love. That’s all. That’s it. Lalon used to sing: everyone asks what caste is Lalon in this world—Lalon fits in no pigeonhole, and neither does this love. Is it love, or attachment, or addiction, or madness? No label will fit it. A love where the question “why” itself seems out of place, where the accounting of “what will I get in return” is obscene—perhaps that alone is the only love worthy of the name. Everything else? Everything else is transaction. Refined, polished—but transaction.
What comes next? Where will it go? What will it do?
I know nothing. The future is a fog—thick, damp, that soaks your clothes as you walk through it, yet brings no rain. The path is invisible. Turn around and the past is already erased. None of us came to this world by choice. No one picked these circumstances. We were thrown—like a leaf before a storm, precisely like that. No direction, no destination, only the whim of the wind.
But sometimes, even in that throwing, an anchor is found. A person is found. And then the drifting feels different—the fear doesn’t diminish, but a direction emerges. There is a shore somewhere. Can’t see it. But it exists. You know it. Because someone stands there.
Such a person doesn’t come before. And won’t come again. In life, some things happen only once. The Greeks had a beautiful saying—the time on the clock and the moment are not the same. The clock runs on, merciless, stopping for no one—they called that *chronos*. But there is another time, which comes suddenly, comes only once, never returns, leaves only a mark upon your bones—that they called *kairos*. This person is that *kairos*. A crack in time’s fabric, through which eternity peeks.
Only one such person exists. In all the world, only one. That person is the meaning of life. That person is the reason to open your eyes in the morning. For them, the word “future” sounds less like terror and a little, just a little, like possibility.
And if there is any happiness written in fate? If the Creator has left any blessing in fortune? Not a shred of it will she keep for herself. All of it is theirs. All of it. If she can break apart the happiness of her own destiny and give it to them—that will be life’s finest work.
Ibn Arabi used to say that love is the mirror in which God sees himself. I don’t know how true that is. But if it were true—then this love would be a fragment of that mirror. Small. But without flaw. And what is seen in it—that is something larger than a person, something older than language, something… what? I don’t know. That word hasn’t been invented yet.
She hangs up the phone. The screen goes dark. The room fills again with that silence—the fan’s hum, a truck horn in the distance, snoring from the next room. Silence is never truly silent—it is full, brimming, we simply forget to listen.
Inside the chest, the storm remains. A soundless storm. A storm that makes no noise, yet can turn the world upside down.
Pascal—that sickly, God-drunk mathematician—one night felt something so profound that he wrote it down and had it sewn into the lining of his coat, kept it close to his heart, until death. After he died, his servant saw a bulge in that place and opened it, found it there. He once wrote: *The heart has its own logic, which reason knows nothing of.*
More than three and a half centuries have passed. No one has spoken a truer word since.
This midnight writing speaks in the language of that heart—not in the accountings of the mind, but in the trembling of ribs. Perhaps no one will read it. Perhaps it will lie buried in a phone’s memory—old photographs, messages never deleted, and this writing—side by side, in silence.
But whoever reads it—they may pause for a moment. They may place a hand upon their own chest. They may recognize this weight. This burden. This beauty. And they will understand—that bearing this weight is perhaps the most meaningful work of being alive. That meaning, which exists in no philosophy book, is spoken in no assembly, is taught in no classroom.
That meaning can only be found in the eyes of one human being…if there is courage enough to look.
…Even after putting the phone down, the fingers still tremble a little. Damp with sweat. The screen is dark, but the eyes remain open. Sleep will not come tonight. Nor should it. Some nights are not for sleeping—some nights are only for enduring, for passing through, for holding fast to what has accumulated in the chest.
Morning will come. The sun will rise. In daylight, everything looks different—smaller, trivial, *why worry over such things*. But they know—it was the night that told the truth. In daylight we hide; in darkness we open. And what can be seen when we are open—that is the real face.
And on that face is written one thing. One thing only. But the language to speak it has not yet been made. Perhaps it never will be. That, I think, is just as well.